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The Lamentation

The Lamentation

After (Spanish, 1591 - 1652, active Italy)
ClassificationsPRINTS
Daten.d.
Mediumetching
Dimensions7 15/16 x 10 3/16 in. (20.2 x 25.9 cm.)
InscribedInscription lower right (in reverse): GR verso: lower right in brown ink: '76' upper left in brown ink: B' upper middle in ink: 1S (overmarks on verso) left center in pencil: Guido lower right in pencil: c.25211
Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Edward W. and Julia B. Bodman Collection
Status
Not on view
Object number72.62.415
Terms
    The Lamentation of Christ
    The Lamentation of Christ
    Albrecht Dürer
    n.d.
    Object number: 85.9.61
    Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
    Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.246
    They play another with the cape in an enclosure (Capean otro encerrado)
    They play another with the cape in an enclosure (Capean otro encerrado)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.239
    The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
    The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.238
    Another way of hunting on foot (Otro modo de cazar a pie)
    Another way of hunting on foot (Otro modo de cazar a pie)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.237
    The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
    The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.236
    Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)
    Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.240
    The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
    The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.247
    The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)
    The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.245
    The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
    The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.244
    The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
    The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.243
    Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
    Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
    Francisco José de Goya y Lucientes
    ca. 1819
    Object number: 72.62.242
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