Skip to main content
Advanced Search
Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)
Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)

Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)

Maker (Spanish, 1746-1828)
ClassificationsPRINTS
Dateca. 1819
Mediumetching
Dimensions8 1/4 × 12 1/4 in. (21 × 31.1 cm.) platemark: 9 3/4 × 14 in. (24.8 × 35.6 cm.) sheet: 16 × 17 1/2 in. (40.6 × 44.5 cm.) mat: 22 × 16 in. (55.9 × 40.6 cm.)
Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Edward W. and Julia B. Bodman Collection
Status
Not on view
Portfolio or SeriesPlate 5 from La Tauromaquia
Object number72.62.240
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.236
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.238
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.247
They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Plate 2 from Los Caprichos
They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Plate 2 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.2
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.241
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.246
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.243
Here comes the bogeyman (Que viene el Coco), Plate 3 from Los Caprichos
Here comes the bogeyman (Que viene el Coco), Plate 3 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.3
The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.244
That certainly is being able to read (Esto si que es leer), Plate 29 from Los Caprichos
That certainly is being able to read (Esto si que es leer), Plate 29 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.29
If he broke the pot (Si quebró el Cantaro), Plate 25 from Los Caprichos
If he broke the pot (Si quebró el Cantaro), Plate 25 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.25
Sleep overcomes them (Las rinde el Sueño), Plate 34 from Los Caprichos
Sleep overcomes them (Las rinde el Sueño), Plate 34 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.34
    The Huntington
    Copyright © The Huntington