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The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)

The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)

Maker Francisco José de Goya y Lucientes (Spanish, 1746-1828)

ClassificationsPRINTS

Dateca. 1819

Mediumetching and aquatint

Dimensions8 1/8 × 12 1/2 in. (20.6 × 31.8 cm.) platemark: 9 11/16 × 14 in. (24.6 × 35.6 cm.) sheet: 13 × 17 5/8 in. (33 × 44.8 cm.) mat: 22 × 16 in. (55.9 × 40.6 cm.)

MarkingsWatermark: No Io

Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Edward W. and Julia B. Bodman Collection

Status

Not on view

Portfolio or SeriesPlate 24 from La Tauromaquia

Object number72.62.247

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Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)

Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.246

The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)

The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.245

The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)

The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.243

Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)

Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.240

The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)

The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.241

The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)

The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.236

The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)

The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.238

When day breaks we will be off (Si amanece; nos Vamos), Plate 71 from Los Caprichos

When day breaks we will be off (Si amanece; nos Vamos), Plate 71 from Los Caprichos

Francisco José de Goya y Lucientes

1797-1798

Object number: 72.62.229.71

The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)

The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.244

They play another with the cape in an enclosure (Capean otro encerrado)

They play another with the cape in an enclosure (Capean otro encerrado)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.239

Another way of hunting on foot (Otro modo de cazar a pie)

Another way of hunting on foot (Otro modo de cazar a pie)

Francisco José de Goya y Lucientes

ca. 1819

Object number: 72.62.237

What one does to another (Unos á otros), Plate 77 from Los Caprichos

What one does to another (Unos á otros), Plate 77 from Los Caprichos

Francisco José de Goya y Lucientes

1797-1798

Object number: 72.62.229.77