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The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)

The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)

Maker (Spanish, 1746-1828)
ClassificationsPRINTS
Dateca. 1819
Mediumetching and aquatint
Dimensions9 15/16 × 12 1/4 in. (25.2 × 31.1 cm.) sheet: 12 3/4 × 17 1/2 in. (32.4 × 44.5 cm.) mat: 22 × 16 in. (55.9 × 40.6 cm.)
Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Edward W. and Julia B. Bodman Collection
Status
Not on view
Portfolio or SeriesPlate 1 from La Tauromaquia
Object number72.62.236
Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)
Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.240
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.238
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.241
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.246
Here comes the bogeyman (Que viene el Coco), Plate 3 from Los Caprichos
Here comes the bogeyman (Que viene el Coco), Plate 3 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.3
They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Plate 2 from Los Caprichos
They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Plate 2 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.2
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.243
© Sandy Rodriguez.
YOU ARE HERE – Tovaangar / El Pueblo de Nuestra Señora la Reina de los Ángeles de Porciúncula / Los Angeles
Sandy Rodriguez
2021
Object number: 2023.3
What a tailor can do! (Lo que puede un Sastre!), Plate 52 from Los Caprichos
What a tailor can do! (Lo que puede un Sastre!), Plate 52 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.52
Be quick, they are waking up (Despacha, que dispiértan), Plate 78 from Los Caprichos
Be quick, they are waking up (Despacha, que dispiértan), Plate 78 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.78
Because she was susceptible (Por que fue sensible), Plate 32 from Los Caprichos
Because she was susceptible (Por que fue sensible), Plate 32 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.32
That certainly is being able to read (Esto si que es leer), Plate 29 from Los Caprichos
That certainly is being able to read (Esto si que es leer), Plate 29 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.29
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