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They play another with the cape in an enclosure (Capean otro encerrado)
They play another with the cape in an enclosure (Capean otro encerrado)

They play another with the cape in an enclosure (Capean otro encerrado)

Maker (Spanish, 1746-1828)
ClassificationsPRINTS
Dateca. 1819
Mediumetching and aquatint
Dimensions8 × 12 1/8 in. (20.3 × 30.8 cm.) sheet: 12 5/8 × 17 5/16 in. (32.1 × 44 cm.) sheet: 22 × 16 in. (55.9 × 40.6 cm.)
DescriptionState III
InscribedInscription by artist (in plate): upper right: '4' Collector's mark: Bodman stamp verso, l.l.
Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Edward W. and Julia B. Bodman Collection
Status
Not on view
Label TextState III
Portfolio or SeriesPlate 4 from La Tauromaquia
Object number72.62.239
Another way of hunting on foot (Otro modo de cazar a pie)
Another way of hunting on foot (Otro modo de cazar a pie)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.237
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.247
What one does to another (Unos á otros), Plate 77 from Los Caprichos
What one does to another (Unos á otros), Plate 77 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.77
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.241
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.243
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.246
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.238
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.236
The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)
The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.245
The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.244
Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.242
Punctual Folly, or The Queen of the Circus (Una Reina del Circo)
Punctual Folly, or The Queen of the Circus (Una Reina del Circo)
Francisco José de Goya y Lucientes
ca. 1820
Object number: 41.5.1575
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