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Punctual Folly, or The Queen of the Circus (Una Reina del Circo)
Punctual Folly, or The Queen of the Circus (Una Reina del Circo)

Punctual Folly, or The Queen of the Circus (Una Reina del Circo)

Engraver (Spanish, 1746-1828)
Additional Title(s)
  • Una Reina del Circo
ClassificationsPRINTS
Dateca. 1820
Mediumetching and aquatint
Dimensions8 9/16 × 12 13/16 in. (21.7 × 32.5 cm.) platemark: 9 1/2 × 14 in. (24.2 × 35.5 cm.) sheet: 11 1/2 × 17 in. (29.2 × 43.2 cm.)
InscribedInscribed below image: "Goya inv. et sc. Una Reina del Circo. [Une reine du cirque] A'Art. F[cois raised above ,--] Liénard, Imp. Paris."
Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Charles D. Seeberger Collection.
Status
Not on view
Portfolio or SeriesFrom "Los Disparates"
Object number41.5.1575
Beastly Folly (Disparate la Bestia)
Beastly Folly (Disparate la Bestia)
Francisco José de Goya y Lucientes
ca. 1815 - 1819 (first published 1877)
Object number: 72.62.232
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.246
They play another with the cape in an enclosure (Capean otro encerrado)
They play another with the cape in an enclosure (Capean otro encerrado)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.239
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.238
Another way of hunting on foot (Otro modo de cazar a pie)
Another way of hunting on foot (Otro modo de cazar a pie)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.237
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.236
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.247
The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)
The agility and audacity of Juanito Apiñani in the ring at Madrid (Ligereza y atrevimiento de Juanito Apinani en la plaza de Madrid)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.245
The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.244
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.243
Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.242
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
The Moors make a different play in the ring calling the bull with their burnous (Los moros hacen otro capeo en plaza con su albornoz)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.241
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