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The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)
The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)

The famous Martincho places the banderillas playing the bull with the movement of his body (El famoso Marincho poniendo banderillas al quiebro)

Maker (Spanish, 1746-1828)
ClassificationsPRINTS
Dateca. 1819
Mediumetching and aquatint
Dimensions8 × 12 3/8 in. (20.3 × 31.4 cm.) platemark: 9 11/16 × 14 in. (24.6 × 35.6 cm.) sheet: 12 7/8 × 17 1/2 in. (32.7 × 44.5 cm.) mat: 22 × 16 in. (55.9 × 40.6 cm.)
MarkingsWatermark: Morato
Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Edward W. and Julia B. Bodman Collection
Status
Not on view
Portfolio or SeriesPlate 15 from La Tauromaquia
Object number72.62.244
Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
Origin of the harpoon or banderillas (Origen de los arpones o banderillas)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.242
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body (El diestrismio estudiante de Falces, embozado, burla al toro con sus quiebras)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.243
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Mariano Ceballos, alias the Indian, kills the bull from his horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.246
Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)
Change title: The spirited Moor Gazul is the first to spear bulls according to the rules (El animoso moro Gazul es el primero que lanceo toros en regla)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.240
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid (El mismo Ceballos montado sobre otro toro quiebra rejones el la plaza de Madrid)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.247
They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Plate 2 from Los Caprichos
They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Plate 2 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.2
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open (Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean untoro en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.238
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
The way in which the ancient Spaniards hunted bulls on horseback in the open country (Modo con que los antiguos espanoles cazaban los toros a caballo en el campo)
Francisco José de Goya y Lucientes
ca. 1819
Object number: 72.62.236
And so was his grandfather (Asta su Abuelo), Plate 39 from Los Caprichos
And so was his grandfather (Asta su Abuelo), Plate 39 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.39
And his house is on fire (Ysele quema la Casa), Plate 18 from Los Caprichos
And his house is on fire (Ysele quema la Casa), Plate 18 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.18
To the Count Palatine (Al Conde Palatino), Plate 33 from Los Caprichos
To the Count Palatine (Al Conde Palatino), Plate 33 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.33
Lads Making Ready (Muchachos al Avío), Plate 11 from Los Caprichos
Lads Making Ready (Muchachos al Avío), Plate 11 from Los Caprichos
Francisco José de Goya y Lucientes
1797-1798
Object number: 72.62.229.11
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