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Albert Moore

British, 1841-1893
NationalityBritish
BiographyLeading figure in the Aesthetic Movement, who used the classically draped female figure as a vehicle for exploring abstract pictorial concerns. Essentially self-taught, Moore was deeply influenced by his study of Greek and Japanese art. Together with his friend James McNeill Whistler, whom he met around 1865, he experimented with a progressive new approach to painting, excluding conventional subject matter and emotion in order to concentrate on the arrangement of line, form, and color. His unconventional art, outspoken opinions, and disregard for social proprieties offended the sensibilities of many of his colleagues, who actively prevented his election to the Royal Academy, although his paintings regularly appeared there. From 1877 Moore's delicately colored and gracefully composed pictures figured among the principal attractions of the newly founded Grosvenor Gallery.

[Great British Paintings Label Text]
Person TypeIndividual
James McNeill Whistler
American, 1834 - 1903
Alternative Names: James Abbot McNeill Whistler
Walter Sickert
British, 1860-1942
Alternative Names: Walter Sickert
Edward Burne-Jones
British, 1833 - 1898
Alternative Names: Edward Burne-Jones
Benjamin West
American, 1738 - 1820
Alternative Names: Benjamin West
Baron Frederic Leighton
British, 1830-1896
Alternative Names: Frederic Leighton
William Etty
British, 1787-1849
Alternative Names: William Etty
Dutch (German) ? in England, ca. 1600 - 1681
Alternative Names: Gerard Soest
George Lambert
British, 1710 - 1765
Alternative Names: George Lambert
Francis Hayman
British, ca. 1708-1776
Alternative Names: Francis Hayman
Frances Molesworth, later Marchioness Camden
British, 1760 - 1829
Alternative Names: Frances Molesworth, later Marchioness Camden
Photography © 2014 Fredrik Nilsen
American, 1805 - 1873
Alternative Names: Hiram Powers
James Thomson
British, 1666 - 1716
Alternative Names: James Thomson