John Martin
British, 1789-1854
NationalityBritish
BiographyRomantic painter best known for his visions of spectacular and supernatural events, often scenes from the Bible, sometimes featuring elaborate and fantastic architectural perspectives. He worked first as a glass- and ceramics-painter. He made his name at the Royal Academy exhibition of 1812 with one of his first attempts at large-scale oil-painting, Sadak in Search of the Waters of Oblivion (St. Louis Art Museum), in which the romantic hero struggles through an awe-inspiring mountain landscape. This and further evocations of the "Sublime," both paintings and mezzotint prints, caught the popular imagination, and Martin became one of the most celebrated artists of his day; through the prints in particular, his fame spread beyond Britain to the Continent of Europe and the United States. He achieved his greatest critical and financial success in 1821 with the exhibition of Belshazzar's Feast (private collection) at the British Institution. In his last years he painted a triptych of vast canvases on the theme of the Last Judgment (Tate Collection).[Great British Paintings Label Text]
Person TypeIndividual
American, 1898 - 1991
Alternative Names: Hiromu Kira
American, 1738 - 1815, active in England
Alternative Names: John Singleton Copley
British, 1697-1764
Alternative Names: William Hogarth
American, 1902 - 1980
Alternative Names: Shigemi Uyeda
British, 1782 - 1845
Alternative Names: John Charles Spencer, Viscount Althorp, later Earl Spencer
British, 1762 - 1831
Alternative Names: Lavinia (Bingham), Countess Spencer
British, 1829-1896
Alternative Names: John Everett Millais
American, 1850s - 1924
Alternative Names: Arabella (Yarrington) Huntington
British, 1747-1801
Alternative Names: Francis Wheatley
British, 1885-1978
Alternative Names: Duncan Grant
British, 1787-1849
Alternative Names: William Etty
British, 1724-1806
Alternative Names: George Stubbs

