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Lady Frances (Finch) Courtenay

Maker (British, 1701-1779)
Sitter (British, 1721 - 1761)
ClassificationsPAINTINGS
Dateca. 1741
Mediumoil on canvas
Dimensions50 1/4 x 40 in. (127.6 x 101.6 cm.) frame: 58 1/4 × 48 1/2 × 3 1/2 in. (148 × 123.2 × 8.9 cm.)
DescriptionIn this portrait, Lady Frances Courtenay is standing in an open landscape at sunset holding a long white feather in her left hand.
Credit LineThe Huntington Library, Art Museum, and Botanical Gardens. Bequest of Florence M. Quinn
Status
On view
Label TextThis portrait of Lady Frances Courtenay is modeled on Peter Paul Rubens’s portrait of his wife Helena Fourment (ca. 1630–1632), which became one of the most admired portraits in mid-18th-century Britain. Rubens’s image of Helena inspired other artists’ portraits of married women in the “Rubens’s Wife” mode, such as this painting, and also became a reference for costumes at masked balls. While Hudson refers to Rubens’s portrait in the sitter’s dress, pose, setting, and accessories, he relaxed and lowered the position of the sitter’s arms, and included aspects of contemporary fashion. For example, Courtenay’s hair is pulled straight back from her forehead, a hairstyle popular during the 1740s.
Bibliography
Object number44.100
Dr. Isaac Schomberg
Thomas Hudson
ca.1750-1760
Object number: 33.1
Frances Molesworth, later Marchioness Camden
Joshua Reynolds
1777
Object number: 24.32
Lady Essex (Rich) Finch, later Countess of Nottingham
Peter Lely
ca. 1675
Object number: 51.13
Frances (Balchen) West
Joseph Highmore
1742
Object number: 86.41
Portrait of a Woman
Thomas Hudson
n.d.
Object number: 87.86
Saint Frances
Edward Burne-Jones
ca. 1887
Object number: 2000.5.33
Saint Frances
Edward Burne-Jones
ca. 1887
Object number: 2000.5.517
Lady Jane (Maitland) Long
Thomas Lawrence
1793
Object number: 78.20.32
Penelope (Pitt), Viscountess Ligonier
Thomas Gainsborough
1770
Object number: 11.29
Elizabeth (Jenks) Beaufoy, later Elizabeth Pycroft
Thomas Gainsborough
ca.1780
Object number: 24.1