{"label":"Filatrice","metadata":[{"label":"Date","value":"1850"}],"description":"One of the earliest bronze castings made in America, Filatrice was produced on commission for the American Art-Union's 1850 lottery.  The piece is one of only seven known to survive from the original group of thirty. \r\n\t\r\nHenry Kirke Brown studied in Boston and lived in New York and Cincinnati, before heading to Italy in 1842.  He worked in Florence, the first Italian center of American artistic activity, and later in Rome.  Moved by a deeply nationalistic spirit, comparable to that already possessed by American landscape painters, such as Thomas Doughty and Asher B. Durand, Brown sought a distinctly American style.  His first major work in Italy was consequently a full-scale reclining American Indian youth, which the sculptor declared to be \"… the first attempt that has been made to render classical objects of our own country.\"  In 1846, he returned to New York City.  Not wanting to rely on Europe for any part of his work, he built his own foundry in Brooklyn and helped establish the first important bronze foundry for sculpture in America, the James T. Ames Foundry in\r\nChicopee, MA. \r\n\t\r\nFilatrice, or Girl Spinning, shows a woman attired in classical garb, spinning thread with a drop spindle, a technique used since antiquity.  The sculpture may suggest meditation on the passage of time or the\r\nfragility of human existence, with its possible reference to the Three Fates who spin the thread of life. \r\n\r\n","related":[{"format":"text/html","label":"View details","@id":"https://emuseum.huntington.org/objects/6570/filatrice"}],"rendering":[{"format":"text/html","label":"View details","@id":"https://emuseum.huntington.org/objects/6570/filatrice"}],"sequences":[{"label":"default","canvases":[{"label":"Photography © 2014 Fredrik Nilsen","width":900,"height":1200,"images":[{"resource":{"service":{"profile":"http://iiif.io/api/image/2/level2.json","tiles":[{"width":256,"height":256,"scaleFactors":[1,2,4,8],"@type":"iiif:Tile","@context":"http://iiif.io/api/image/2/context.json"},{"width":512,"height":512,"scaleFactors":[1,2,4,8],"@type":"iiif:Tile","@context":"http://iiif.io/api/image/2/context.json"},{"width":1024,"height":1024,"scaleFactors":[1,2,4,8],"@type":"iiif:Tile","@context":"http://iiif.io/api/image/2/context.json"}],"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.huntington.org/apis/iiif/image/v2/29993"},"format":"image/jpeg","width":900,"height":1200,"@type":"dctypes:Image","@id":"https://emuseum.huntington.org/apis/iiif/image/v2/29993/full/full/0/default.jpg","@context":"http://iiif.io/api/presentation/2/context.json"},"motivation":"sc:painting","on":"https://emuseum.huntington.org/apis/iiif/presentation/v2/1-objects-6570/canvas/1068146","@type":"oa:Annotation","@id":"https://emuseum.huntington.org/apis/iiif/presentation/v2/1-objects-6570/annotation/1068146","@context":"http://iiif.io/api/presentation/2/context.json"}],"@type":"sc:Canvas","@id":"https://emuseum.huntington.org/apis/iiif/presentation/v2/1-objects-6570/canvas/29993","@context":"http://iiif.io/api/presentation/2/context.json"}],"@type":"sc:Sequence","@id":"https://emuseum.huntington.org/apis/iiif/presentation/v2/1-objects-6570/sequence/default","@context":"http://iiif.io/api/presentation/2/context.json"}],"logo":[{"@id":"https://emuseum.huntington.org/internal/media/logodispatcher/Huntington_Wordmark_SingleLine_L1Green.jpg"}],"@type":"sc:Manifest","@id":"https://emuseum.huntington.org/apis/iiif/presentation/v2/1-objects-6570/manifest","@context":"http://iiif.io/api/presentation/2/context.json","thumbnail":[{"service":{"profile":"http://iiif.io/api/image/2/level2.json","@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.huntington.org/apis/iiif/image/v2/29993"},"@id":"https://emuseum.huntington.org/apis/iiif/image/v2/29993/full/%21100%2C100/0/default.jpg"}]}